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  • The Martin Buber Society  of Fellows committed to the highest standards of academic excellence and to a strong interdisciplinary orientation. Our goal is to foster innovative, path-breaking research of broad cultural meaning and relevance and to create a community of scholars who can learn from and inspire one another.

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    The best thing about the MBSF is that you get time to read up on subjects and think things through. Here you have the time, and the comfort of a community of other fellows. Many of my colleagues grew to be very important to me both intellectually and socially.

    Ellinor Morack, Germany

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    The best thing about the MBSF is that you get time to read up on subjects and think things through. Here you have the time, and the comfort of a community of other fellows. Many of my colleagues grew to be very important to me both intellectually and socially.

    Ellinor Morack, Germany

FEATURED PUBLICATIONS

Die zionistische Komödie im Drama Sammy Gronemanns
Jan Kühne. 1/2020. Die zionistische Komödie im Drama Sammy Gronemanns. Abstract

Sammy Gronemann (1875–1952) is among the most famous German-language Zionist dramatists. His history extends from earliest foundation of the Zionist movement to its realization in the Jewish State, a process to which Gronemann contributed substantially. His complete dramas – excluding comedies – reflect this history and are analyzed in detail for the first time in this book.

Esoteric Images: Decoding the Late Herat School of Painting
Dr. Tawfiq Daʿadli. 4/18/2019. Esoteric Images: Decoding the Late Herat School of Painting. Abstract
In Esoteric Images: Decoding the Late Herat School of Painting Tawfiq Daʿadli decodes the pictorial language which flourished in the city of Herat, modern Afghanistan, under the rule of the last Timurid ruler, Sultan Husayn Bayqara (r.1469-1506). This study focuses on one illustrated manuscript of a poem entitled Khamsa by the Persian poet Nizami Ganjavi, kept in the British Library under code Or.6810. Tawfiq Daʿadli decodes the paintings, reveals the syntax behind them and thus deciphers the message of the whole manuscript. The book combines scholarly efforts to interpret theological-political lessons embedded in one of the foremost Persian schools of art against the background of the court dynamic of an influential medieval power in its final years.

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